Yang’s third film, The Terrorizers (1986), feels almost French by comparison, a pre–Claire Denis–Michael Haneke–style urban weave of unease, duplicity, lostness, and poisoned serendipity. Yang himself ...

Edward Yang’s evocative and deliberately ambiguous third feature (1986) pivots on a chance encounter between a rebellious Eurasian girl and a novelist and housewife who decides to leave her husband, a ...

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list.

Edward Yang died in 2007, after making just seven films; only his last, Yi Yi (2000), saw stateside release, while his mysterious magnum opus (and the nation's keynote epic), A Brighter Summer Day ...