DEX token ASTER surged as Binance founder Changpeng Zhao (CZ) purchased approximately 2 million of them, sending a wave of speculative demand across the market. Investors interpreted the purchase as a ...

Aster’s removal from DefiLlama shows how data credibility has become a new battleground for DEXs. The fight for dominance among decentralized derivatives exchanges has taken a new turn after data ...

“There are certain filmmakers that I would describe as liberating influences. People whose work kind of allows you to shake off some of the rules that I think you get saddled with as you get going,” ...

ASTER eyes a 35% rebound from key support, with a breakout setup that could send the token back toward record highs in October. ASTER defends hot support at $1.60–$1.80 for a potential 35% rebound ...

Jeremy has more than 2300 published articles on Collider to his name, and has been writing for the site since February 2022. He's an omnivore when it comes to his movie-watching diet, so will gladly ...

In his relatively short time in the spotlight, Aster has emerged as a maddeningly divisive cinematic figure. When Ari Aster made his feature film debut in 2018 with the chilling Sundance horror hit ...

If you ask Ari Aster‘s dad, the “Hereditary” director should leave screenwriting to someone else. During a recent appearance on the “WTF with Marc Maron” podcast, Aster said his father suggested he ...

Though I saw Ari Aster’s new film, Eddington, way back in May—and thought it was a frustrating, occasionally invigorating grumble about modern times—I decided to give the movie another shot last week.

Joaquin Phoenix as Sheriff Joe Cross in Eddington. Photo: Richard Foreman/A24 Joaquin Phoenix as Sheriff Joe Cross in Eddington. Photo: Richard Foreman/A24 It’s a film that I am incredibly proud of, ...

Ari Aster wants to upset you. As the writer-director transitions from horror provocations like Hereditary and Midsommar to the more expansive anxiety-freakouts of Beau Is Afraid and his new 2020-set ...

The man behind some of the 21st century’s most unsettling films takes his own anxiety and puts it onscreen. Credit...Jonno Rattman for The New York Times Supported by By Anna Peele He could see that ...