Becoming one of the iconic faces of the swinging 60s, Stamp worked with Fellini, Pasolini and Ken Loach and was branded “the most beautiful man in the world” before leaving the limelight altogether.

Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...

BFI Discovery and Impact feature funding awards money from the National Lottery to support original live action and animation feature filmmaking.

Using a DV camera and successive iPhones, Mapplebeck threads together 20 years of her and her son’s lives with humour, warmth and honesty.

A young couple move to the countryside and are overcome by a magnet-like attraction that threatens to fuse their bodies together permanently in Michael Shanks’s gruesome yarn.

Lucile Hadžihalilović’s dark and mesmerising modern fairy tale, which won the Silver Bear at Berlin, will be in cinemas in the UK and Ireland from 21 November.

From Stalker to Hard to Be a God: as a wild Czech New Wave sci-fi farce surfaces on Blu-ray, we survey the unhinged dystopias and mind-bending metaphysics of the best science fiction films from ...

The BFI Filmography project ran from 2012 to 2017, with these main aims: identify all film works that meet the inclusion criteria – British, feature-length, released in cinemas catalogue those works ...

The BFI’s highest honour recognises the huge global impact of Mulvey’s work through her groundbreaking writing and filmmaking, including her seminal essay ‘Visual Pleasure and Narrative Cinema’.