Louis Torre's "Pity Party" wraps self-sabotage in orchestral strings and stacked harmonies. Released 12th February 2026.

Cat Clyde's "Man's World" tackles patriarchy with swampy blues and a groove that refuses to break. From Mud Blood Bone, out ...

Kareen Lomax closes her ijan EP with "Somewhere In The World," a vintage neo-soul track about grief, grace and goodbye.

Tim Atlas's "Couple Up" is melancholic bedroom R&B about unrequited love, hoping one casual night might turn into something permanent. Review.

Executive produced by Raphael Saadiq, this 31-minute masterclass channels New Edition, Donell Jones & 90s R&B nostalgia.

Lil Dicky returns with Philly Freestyle shot on the Rocky steps. A confessional comeback track with effortless flow addressing years away from rap ...

LOUD TIGER's "Good Company" is a Valentine's alternative about choosing yourself. Viktoria Siff's country-pop track reviewed.

Rich Delinquent and Tyla Yaweh's "Heartbreak Afterparty" tracks post-breakup numbness through heavy reverb and self-medication. Album closer reviewed.

Discover the meaning and legacy of New Radicals’ You Get What You Give — why it still resonates with fans, artists and ...

Erin LeCount rarely sounds comfortable standing still, and ‘DON’T YOU SEE ME TRYING?’ pushes that restlessness into the open.

Debbie’s ‘The Rain Isn’t Over’ turns grief into endurance. A close listen at the lyrics, sound, and gospel-tinged minimalism behind the song.

That cross-border reach became especially visible through his collaboration with American artist Che. Serving as the sole ...