George Balanchine loved Mozart’s 15th divertimento so deeply – he regarded it as the greatest divertimento ever composed – that he created two different ballets to it. The second, from 1956, remains in the repertories of ballet companies around the world – beloved for its elegance, its charming relaxed classicism, its melodic fluency. And for its five virtuoso ballerina roles. Take a look into a rehearsal for this beloved ballet and save and share it if you want to see more! Fresh & Fierce opens
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George Balanchine loved Mozart’s 15th divertimento so deeply – he r…
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Principal Dancer Joseph Gordon shines during this solo from George Balanchine's Divertimento No. 15. See it this winter alongside Tchaikovsky Pas de Deux and Carnival of the Animals on the Balanchine Wheeldon program: nycballet.com/balanchinewheeldon | New York City Ballet
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Principal Dancer Joseph Gordon shines during this solo from Geor…
24.9K viewsJul 30, 2024
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Winter Replay: Soloist Sara Adams' quick-footed first variation in George Balanchine's Divertimento No. 15. This neoclassical Balanchine masterpiece returns this spring on the All Balanchine II program: nycballet.com/balanchine2spring | New York City Ballet
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Winter Replay: Soloist Sara Adams' quick-footed first variation in Geor…
7.5K viewsMar 12, 2025
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Did you know George Balanchine's Divertimento No. 15 first premiered at the American Shakespeare Festival Theatre at a bicentennial celebration of Mozart's birth in 1956? Balanchine's reworking of his earlier Caracole returns this winter on the Balanchine Wheeldon program: nycballet.com/balanchinewheeldon Featuring Harrison Coll, Joseph Gordon, Sebastián Villarini-Vélez, Megan Fairchild, Emilie Gerrity, and Erica Pereira | New York City Ballet
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Did you know George Balanchine's Divertimento No. 15 first premiere…
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ABCs of NYCB: D is for Divertimento, first performed in 1947 by Ballet Society, NYCB's direct predecessor. Balanchine choreographed the ballet to the compositions of Alexei Haieff, and later renamed it Haieff Divertimento. Though it is rarely performed, this Black & White ballet is unique and remarkably succinct culmination of the neoclassical Balanchine sensibility: a nod to classicism incorporating modern, jazzy elements. Corps de Ballet members Kennard Henson, Maxwell Read and Victor Abreu li
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ABCs of NYCB: D is for Divertimento, first performed in 19…
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In this week's See the Music episode, Music Director Andrew Litton explores the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer. Stream the episode at podcast.nycballet.com or on your preferred streaming platform. | New York City Ballet
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In this week's See the Music episode, Music Director Andrew Li…
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In a new feature on Divertimento No. 15, see how Soloist Emilie Gerrity makes the finest divertimento ever written (according to Balanchine) come to life. Then, see it live for yourself on the All Balanchine I program, opening the season on September 20: nycballet.com/allbalanchine1fall | New York City Ballet
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In a new feature on Divertimento No. 15, see how Soloist Emilie Gerrity …
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